Valencia, 1955
Marcelo Fuentes chooses his spectators among those capable of establishing sensorial, intellectual and emotional complicities with his creations.
His painting has been stripped of the descriptive desires in favor of a greater essentiality in the abstract power of the painting itself. Human beings never appear in his work and, thus, as spectators we can walk alone through the painted spaces, enigmatic places that resist making distinctions between nature and artifice, because under the action of the brushes, mountains and buildings can share the same substance and promote similar aesthetic experiences.
